THE YERING STATION ART GALLERY FEATURES THE WORK OF BOTH ESTABLISHED AND EMERGING ARTISTS IN AN ENVIRONMENT THAT CAPTURES THE SYNERGY BETWEEN FINE WINE AND THE ARTS
Yering Station Art Gallery
Yering Station’s historic winery building (circa 1859) with its rustic charm, high ceilings and white painted, hand-made brick walls, operates as both a tasting room and a contemporary art gallery. Exhibitions are located in the Main Gallery on the ground floor and in the more intimate First Floor Gallery, with exhibitions rotating every four to six weeks.
The Yering Station Art Gallery is committed to exhibiting the work of both established and emerging Australian artists, while the annual Yarra Valley Arts/Yering Station Sculpture Exhibition & Awards, which runs from late October through to early December, has a long history of showcasing an outstanding cross section of contemporary Australian sculptural practice.
All commissions from sales associated with Yering Station’s Arts Program are donated to LARCH: The Leukaemia Auxiliary of the Royal Children’s Hospital.
Current Exhibition in the Main Gallery 19 September – 18 November
CAROLYN CARDINET — PlasticTide
Artist talk: Sunday 28 October 3.30 pm
Shipping Plastic to Faraway Lands (detail), Repurposed plastic, thread, fibre, found timber, Variable
In PlasticTide French-born artist Carolyn Cardinet has created a collection of mixed media assemblages utilising the familiar but repurposed forms of found single-use plastic packaging collected from around her Melbourne studio. The cumulative effect is like being swept out to sea on a raft of discarded plastic bottles, for Cardinet’s sculptural reflections carry viewers into maritime and subaquatic regions from which relationships between humanity, the natural environment, consumerism and the pervasive use and disuse of plastic can be considered anew.
Following on from her solo exhibition Microbeplastica in Sydney in 2017, PlasticTide explores a colour spectrum incorporating the sterile white of bleach bottles, the cloudy white of milk cartons, the synthetic white of enamel paint and the comforting matt white of takeaway coffee cup lids. Within this storm of artificial white familiar mass produced forms swirl in a de-contextualised maelstrom often appearing to have morphed into proto-organic forms.
Allusions to waterways, seas and oceans permeate the exhibition, drawing the mind back time and again to the global problem of plastic waste, a theme brought home through Cardinet’s choice of medium and also through the luminous, suspended, patch-work surface of Shipping Plastic to Faraway Lands, which depicts Victoria’s river systems winding across land toward the Victorian coast.
Now resident in Melbourne, Carolyn Cardinet is an experimental artist with a Masters of Fine Art from RMIT University Melbourne and a Bachelor of Fine Art from VCA, Melbourne University. She has undertaken residencies in Washington in the United States and at the Australian Tapestry Workshop in Melbourne. She is the recipient of the inaugural Environmental Artist Residency in NSW and has been selected for the Biennale of Australian Art 2018.
Adrift (detail), Repurposed plastic on netting, Variable
Current Exhibition in the First Floor Gallery 8 August – 18 November
TESSA HUBBLE — AFFINITY
Seeking, Oil on canvas, 55 x 55 cm
Hubble’s personal style of artistic expression has evolved through applying traditional methods of drawing and painting to a broad range of subjects while working across diverse mediums.
In particular, the spontaneity and immediacy of watercolour painting has influenced her oil painting resulting in a style at once broad, free and characterised by a limited colour palette and strong contrasts.
Inspired by people in their immediate surrounds, and also by people captured in action, in conversation or in moments of quiet reflection, ‘Affinity’ focuses on sensitivity emerging from bold simplicity.
In 2012 Hubble graduated from RMIT with a degree in Fine Arts and was awarded a scholarship for the Rome Art Program. The visual and cultural immersion this involved and the artistic connections it enabled continues to inspire her arts practice.
Current Exhibition in the Winery Viewing Gallery 16 July – 18 October
CHRIS TAYLOR — THE STILLEST HOUR – REIMAGINING VICTORIA’S HIGHLAND FORESTS
Solitude (Lone Snow Gum – Baw Baw Plateau photographed on Gunaikurnai Country in 2016), Printed on Arches Velin Archival Cotton Rag, handmade recycled timber frame, 60 x 80 x 4 cm
Yesterday, at the stillest hour, the ground seemed to give way: my dream began. The hand moved, the clock of my life held its breath – I never heard such stillness about me.
Friedrich Nietzsche, Thus Spoke Zarathustra – The Stillest Hour, 1883-85
Artist Statement: In my photography of Victoria’s Highland forests, I seek to capture those stillest hours, when no words are spoken. Such moments tell my own story and somehow articulately express my efforts to better understand the forests that cover the dramatic blue-rimmed skyline surrounding Melbourne, the Yarra Valley and beyond.
Through photography, I strive to create new connections enabling a heightened appreciation of our unique forest ecosystems, which I hope will lead to more enlightened conservation outcomes.
My photographs are printed on Arches Velin archival quality cotton paper and framed in hand crafted recycled timber. Commission from the sale of my framed photographs will be donated to the Leukaemia Auxiliary of the Royal Children’s Hospital and to funding research towards the protection of Victoria’s critically endangered Mountain Ash forests.
I sincerely wish to acknowledge the Wurundjeri, Taungurung and Gunaikurnai peoples, upon whose land my photographs were taken. Their longstanding close relationship with country (a legacy spanning many thousands of years) has shaped these forests and made them what they are. For us to continue enjoying Victoria’s highland forests into the future, it is imperative that we learn from their wise stewardship.
A Silent Moment (Central Highlands of Victoria – Big River photographed on Taungurung Country in 2016), Printed on Arches Velin Archival Cotton Rag, handmade recycled timber frame, 100 x 75 x 4 cm
Upcoming Exhibition in the Main Gallery 20 November – 7 January
Yarra Valley Arts / Yering Station Sculpture Exhibition and Awards 28 October – 8 December 2018
Beatrice Magalotti, The Norns, Bronze, 28 x 42 x 29 cm
The Yarra Valley Arts / Yering Station Sculpture Exhibition & Awards is the result of a collaboration between Yarra Valley Arts, a not for profit organization dedicated to enhancing the cultural lives of Yarra Valley residents and visitors, and Yering Station, a premier winery in the Yarra Valley region of Victoria with an arts program encompassing painting, photography and sculpture.
The exhibition has grown steadily since October 2001 and is now an iconic event on the Victorian arts calendar attracting strong interstate interest. It is respected for its consistency and longevity and its ability to annually showcase a cross section of contemporary Australian sculptural practice from both established and emerging artists.
Staged across dramatic landscaped gardens designed by Michael McCoy, the exhibition provides ample opportunities for the installation of outdoor sculpture, while the long indoor corridors and breezeways offer indoor and sheltered spaces. Finalists are encouraged to select a site which best presents their work.
Dr Ewen Jarvis, Curator of the Yering Station Art Gallery and the annual Yarra Valley Arts / Yering Station Sculpture Exhibition & Awards, is a writer and practicing artist with both academic and arts administration experience.
The sculpture exhibition takes a 30% commission on art sales, 20% of which is donated to Yering Station’s preferred charity LARCH (Leukaemia Auxiliary of the Royal Children’s Hospital), while 10% goes to Yarra Valley Arts towards the promotion of arts across the region.
The sculpture exhibition is supported by long term sponsors who share the vision and aims of the exhibition: to foster the growth of contemporary Australian sculpture. Arnold Bloch Leibler – lawyers and advisors, Yarra Ranges Council, Workforce Extensions, and RACV Healesville have been particularly strong in their support of the exhibition.
We are also supported by a substantial list of current and former judges and mentors in the arts community who have been part of our selection panel and assist us in continually growing the exhibition’s profile.
Yarra Valley Arts / Yering Station Sculpture Exhibition & Awards 2018 Entry Forms
ENTRIES HAVE NOW CLOSED
Yering Station Art Gallery is Currently Accepting Exhibition Proposals for 2019
Download a PDF version of the Yering Station Art Gallery Application Form here
Past Exhibitions 2018
Past Exhibitions 2017
Past Exhibitions 2016
Justin Stone 25 February 6 April 2016
For further information please contact Dr Ewen Jarvis / Curator:
T (03) 9730 0102 E email@example.com